Writing Students (and teachers) Take Heart; What we're asking you to do is really hard

Writing terrifies students.

Many of us who have been writing for a long time, or are "talented" writers, see writing as a relatively natural process. It's only putting language down on paper, after all. Yet our students shriek, shake, and cry with fear when we give them even "simple" writing assignments. Indeed, the act of writing paralyzes our students.

Flower and Hayes have explained the cognitive processes involved in the writing of actual written language, and their explanation helps to explain why the act of writing so befuddles our students. They explain that "the information generated in planning may be represented in a variety of symbol systems other than language." The ideas that generate writing often come in the form of images, sense memory, emotions and "even when the planning process represents one's thought in words, that representation is unlikely to be in the elaborate sytax of written English" (1981). The act of writing, to Flower and Hayes, is an act of translating ideas (which are non-linear and jumbled) into linear written English.

Writing, therefore, is an extememly complex cognitive process which requires our students to produce formal written English for discourses with which they are still infamiliar out of the jumbled mess of human cognition.

It's no wonder then that many of our students are overwhelmed by the task of writing. What we are asking them to do is difficult stuff--difficult stuff that we ourselves have often taken for granted. This is something to remember when we are frustrated that our students "just aren't getting it." We are asking them to lift heavy weights.

Since this is true, we must be careful not to assume that good writing just is. Instead, good writing is a carefully developed skill. We should see ourselves less as gurus or shamans, guiding them through the spiritual and mysterious process of writing, hoping that their exposure to our gods will magically enlighten them. Instead we should see ourselves as physical trainers, helping them learn to isolate their writing muscles. Though the act of writing is complex and recursive, the processes that make up this complex act can be isolated and trained. If we can help our students do this, then the act becomes easier and more natural (as it is for us) when they must put these processes back together to complete acts of meaningful writing.

But this requires careful work and patience on the part of both the teacher and the writer. So take heart, if it seems like this stuff is really hard, that's because it is. But just as you wouldn't give up working out the first time your muscles are sore, so you must not give up the first time your brain hurts. This includes both you students and you teachers.